Plastic remains one of the most ubiquitous forms that oil takes as a mediating force in our everyday life. This article tracks the way in which this function of plastic has been obfuscated, particularly within the discursive space of academia, by way of a close reading of Karen Tei Yamashita’s 1990 novel Through the Arc of the Rain Forest. After contextualizing the author’s vision of a neoliberal media culture through a brief history of the recent disciplinary convergences of media studies, ecocriticism, and postcolonialism, I argue that Yamashita’s novel functions as a proleptic, literary articulation of the kinds of insights made possible by the combination of the three. Through its particular attention to the lifecycle of media—the trans...
There is virtually nowhere on Earth today that remains untouched by plastic and ecosystems are evolv...
Our relationship with plastic is complex. While the societal benefits of plastic are undeniable, pla...
What practices can we imagine in this world where progress, novelty, and production of the new has b...
This is the author accepted manuscript. The final version is available from Taylor & Francis via the...
In this new millennium the relatively young field of ecocriticism has had to face important transdis...
In her novel Through the Arc of the Rainforest (1990) Karen Tei Yamashita deploys mag...
On Literary Plasticity: Readings with Kafka in Ecology, Voice, and Object-Life calls to Franz Kafka,...
Plastic has become a ubiquitous material on planet Earth. I use Bennett’s term, thing-power, to anal...
Karen Tei Yamashita’s novel, Through the Arc of the Rain Forest (1990), represents environmental, e...
This introduction to the special issue of Plastic Asia emphasises the ambiguous and unsettling mater...
Karen Tei Yamashita explores a complex collection of themes within her novel, Through the Arc of the...
Seeing plastic as an actant rather than inert matter can help us better comprehend the effects of ma...
South Asian literature has a history of engaging with ecocriticism and environmentalism from a postc...
As a pervasive, material element of the global, plastics raise potent social and environmental quest...
There is virtually nowhere on Earth today that remains untouched by plastic and ecosystems are evolv...
There is virtually nowhere on Earth today that remains untouched by plastic and ecosystems are evolv...
Our relationship with plastic is complex. While the societal benefits of plastic are undeniable, pla...
What practices can we imagine in this world where progress, novelty, and production of the new has b...
This is the author accepted manuscript. The final version is available from Taylor & Francis via the...
In this new millennium the relatively young field of ecocriticism has had to face important transdis...
In her novel Through the Arc of the Rainforest (1990) Karen Tei Yamashita deploys mag...
On Literary Plasticity: Readings with Kafka in Ecology, Voice, and Object-Life calls to Franz Kafka,...
Plastic has become a ubiquitous material on planet Earth. I use Bennett’s term, thing-power, to anal...
Karen Tei Yamashita’s novel, Through the Arc of the Rain Forest (1990), represents environmental, e...
This introduction to the special issue of Plastic Asia emphasises the ambiguous and unsettling mater...
Karen Tei Yamashita explores a complex collection of themes within her novel, Through the Arc of the...
Seeing plastic as an actant rather than inert matter can help us better comprehend the effects of ma...
South Asian literature has a history of engaging with ecocriticism and environmentalism from a postc...
As a pervasive, material element of the global, plastics raise potent social and environmental quest...
There is virtually nowhere on Earth today that remains untouched by plastic and ecosystems are evolv...
There is virtually nowhere on Earth today that remains untouched by plastic and ecosystems are evolv...
Our relationship with plastic is complex. While the societal benefits of plastic are undeniable, pla...
What practices can we imagine in this world where progress, novelty, and production of the new has b...